The Fall



This week in class, when we began to discuss interactive storytelling, and took part in the exercise of each class member participating in an ongoing story, the first thing that came to my mind was this particular movie.

In The Fall, directed by Tarsem Singh (better known for the 2000 psychological thriller The Cell), a stuntman befriends a young girl in a 1920s hospital and proceeds to tell her about an epic fantasy-adventure. However, the girl has her own imagination and ideas for where the story should be going, and the film becomes an organic tale in which each character begins to struggle for what they want to have happen in this story.

But what is most interesting about this film, after reading more about the making of it, is that the script was only a blueprint. The director got input from the crew as the story was being told by the young actress, a Romanian girl who often misunderstood what she was being told to do.

While not interactive with the actual audience, it raises thoughts of the ability to create a medium that allows a viewer to change what occurs through their own ideas in real-time. What if we could have a screen in front of us, and were able to change certain elements of the picture, certain actions of the characters, using our own imagination as the narrative progressed? Certainly allows for a lot of possibilities.

The Fall is available on DVD and Blu-ray,

Comments

Amazon Queen said…
I watched this movie here in the Hippodrome Theater, and I loved it. Like you said, a strong link between the patient and the girl was established through storytelling, which story's trajectory would reflect the feelings of the teller and the reactions of the child. I remembered when Arthur commented on telling a story to a kid, even if the end is known, the kid brings lots of possibilities for the development of that story.
esme_design said…
Thanks for reminding us of this film, which I enjoyed. My strongest memory of it is of the hilariously camp outfits on the characters in the story the patient tells the girl, like a Las Vegas Revue crossing the desert. Maybe making characters outrageous or larger than life allows us to enter the story more easily because they intrigue us. A possible correlation is that in 17th century Dutch painting, a painter often included a dark object or path in the foreground which pointed into the rest of the composition, making it easier for the viewer to enter the world within the painting.

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